Content Manager: Bibiana Beňová.

A documentary series about women who aren't afraid to cause troubles. The format alternates between animation and interviews, and each episode highlights a different professional field through the story of a woman who faced real struggles breaking into it. The light-hearted tone and irony of the animated segments help make the topic more approachable while emphasizing just how absurd it is to view certain professions as male-only domains. Through the stories of unconventional heroines, the topic of gender inequality in our country over the past 150 years is explored. Education, careers, family, politics, sports, art, and… men: where do we stand today with gender equality?

Direction: Benjamin Montel, Antonin Boutinard Rouelle. Sound Track: Clément Leveau. Photography: Christophe Astruc, Antonin Boutinard Rouelle. Producer: Andréa Rawlins Gaston (CAPA Presse). Producing Organisations: CAPA Presse, France TV.

Through an unprecedented immersion of several months in a shelter for minors, we tell the story of three young women between the ages of 14 and 25. Eva, the youngest, repeatedly runs away. Her educators, committed but exhausted, try to rescue her from the clutches of her pimps. Lucie, 18, freed herself from the grip of her "lover" a few months ago. She reflects on her descent into hell to better distance herself. Chloé, the oldest, also experienced the abuse of prostitution. Today, this former resident is rebuilding her life by helping younger sisters in need and warning those who idealise prostitution.

Content Manager: Isabella David-Zagratzki (tagesschau). Project Managers, Developers: Daniel Stolz, Merve Kayikci (SWR X Lab); Sebastian Krumdieck (ARD Twitch channel coordinator). Producer: Michael Petrescu (Rocket Beans).

tagesschau together is an interactive live news format on Twitch created with the leading German news brand "tagesschau". It connects with young audiences by combining real-time journalism, direct community engagement and interactive discussions. In an authentic and transparent setting, professional journalists and correspondents answer questions live, explain background and promote media literacy. The project reimagines public service journalism for the streaming generation, combining innovation, credibility and accessibility.

Direction: Michael Haselrieder, Guillaume Dasquié, Nicolas Jaillard. Sound Track: Wildkeys, Olivier Depardon, Jean-Eric Bohdanowicz. Cinematographers: Nicolas Jaillard, Ken Kabelitz, Frank Vieltorf. Commissioning Editors: Kyo Mali Jung, Ilka Brecht. Designer: Nicolas de Leval Jezierski. Script: Michael Haselrieder. Website, Social Media Editor: Andreas Seibert. Coproducing Organisation: Studio Fact Presse & Docs.

The Sky ECC encryption app was considered one of the most secure in the world. Mostly criminals used the messenger, until Europol managed to hack the chats. Drug trafficking and murder plots were uncovered. In 2021, customs officials in Hamburg discovered the largest cocaine seizure in European history. The deal had been organised through Sky ECC. But Europol was able to read the criminals' chats. This is one of the largest mass surveillance operations ever carried out. Europol Director Catherine de Bolle coordinated the undercover operation. Her counterpart, Jean-François Eap, developed the application and considers himself a champion of data protection. The documentary is based on extensive research conducted by a consortium of German, French, Canadian, Serbian, Dutch and Belgian journalists.

Direction: Duccio Forzano. Project Manager: Lorena Guglielmucci.

Pet Anatomy is a factual series exploring the world of veterinarians and their patients. With an emotional tone, it highlights the special bond between humans and animals. Each episode features stories of pets and their owners who turn to the Veterinary Clinic in Rome, where Dr. Daniele Corlazzoli and his team work. Corlazzoli, a renowned neurosurgeon and a leader in the field, is also a 58-year-old man with doubts, fears, and memories. After each day, we follow him through the city, immersed in reflections on his past, his family, and his passion for this work. At the clinic, love stories unfold between people and their animals, showing how deep, healing, and powerful this bond can be, even in the face of loss.

Direction: Pablo Delpedro, Julien Bagourd. Photography: Pablo Delpedro. Social Media Editor: Cezanne Trummer. Producing Organisation: Tataki RTS. Coproducing Organisation: dev.tv.

We follow young Yazidi survivors returning to Sinjar, ten years after ISIS abducted over 7,000 people and destroyed their communities. Blending immersive storytelling, stylized animation, vlogs, and raw testimonies, this digital-first documentary brings invisible trauma to life, without exposing its victims. Designed for young people between the ages of 15 and 25, the episode highlights not only the horrors endured, but the resilience, culture, and hopes of a generation rebuilding after the unthinkable. A bold, human work that invites us to listen – and never forget.

Content Manager: Wieneke van Vucht. Producing Organisation: BNNVARA.

The Marker is an online platform targeting an audience of 17-22 years old with reliable journalistic content. As a counterbalance to influencers and fake news, we make sure to provide news, background information and reliable opinions. Marker's videos are between 1 minute and 2:30 minutes long. We address the target group where they are active: Tiktok and Instagram. We also make in-depth podcasts on Spotify. We join the conversation on Reddit by posting questions and listening to what our audience has to say. On 22 July 2024, we made a video about Congo, as part of our All Eyes On series, in which we shed light on the underexposed disaster areas. This episode was the second in the series. Our creator Gijs (then 21) did extensive research, used reliable journalistic sources and spoke to a person from Congo. We made our content recognisable to the target group, for example by mentioning that your phone probably also contains raw materials related to the conflict. We explained the situation and tried to be constructive. The video was seen and shared a lot, even outside of TikTok and Instagram. The series went on for months and eventually comprised 16 videos. We are considering starting again.

Direction, Content Manager: Viivi Berghem. Composer: Salla Luhtala. Images, Videos, 3D Scanning: Benjamin Suomela. Designer: Jessica Kivi. Developers: Narmeen Marji, Irina Konovalova. Producers: Tatu Blomqviat, Marko Lönnqvist. Coproducing Organisation: Helsinki XR Center.

Shadows of the Frontline Clinic is an immersive spatial documentary that places users inside a Ukrainian frontline medical clinic. Using AR and 3D photogrammetry based on on-site photos from May and October 2024, it blends traditional journalism with interactive, game-like storytelling. Users explore the clinic via desktop or mobile AR, interacting with objects and hearing real testimonies through spatial audio and video. No AI-based scanning like gaussian splatting was used, ensuring authenticity. Despite the challenges of war reporting, advances in mobile scanning made this project possible. Dramatically lit environments and added 3D shadow figures evoke a deeper emotional response. This groundbreaking work combines credible journalism with extended reality, offering a powerful new way to experience crisis reporting. The project is published by Yle's Ulkolinja, a long-standing and respected documentary brand focused on international affairs. Now operating as a cross-media platform, Ulkolinja produces broadcast and on-demand documentaries, podcasts, and digital experiences.

Direction: Camille Duvelleroy. Actors: Ana Blagojević, Ike Zacsongo-Joseph, Théo Navarro-Mussy, Laetitia Vercken, Sophie Mounicot, Matthieu Penchinat, Ponce. Sound Track: Josy Basar. Photography: Pascale Marin. Producing Organisation: Fourmi Rouge. Coproducing Organisation: Arte France.

Lou and Malik, both in their twenties, work at a vegetarian fast-food restaurant on an industrial estate in France. Tonight, the plan they've been working on for years – to leave everything behind and travel around Europe in a food truck – is about to become a reality. However, in recent months, Malik's dreams may have shifted. He has started a romantic relationship with Boris, the fast-food restaurant manager, who has offered him the chance to move to Paris. Lou, on the other hand, might be using this plan as a way to finally break free from her mother's side. But the small lies they've both been telling are about to throw a spanner in the works. The two friends will have to make some tough choices. Will their friendship survive the evening? It's up to viewers to decide in a two-hour interactive live stream. Flying Burgers is Arte's first interactive film on Twitch. This fully live-filmed, edited, and scored interactive fiction invites viewers to shape the story by making choices through the platform's polling tool, directly influencing the narrative. A groundbreaking form of creation blending fiction, live performance, and video games, it has resonated strongly with a young audience.

Direction: Christoph Rasulis. Project Manager: Tim Philipp. Developer: Rolf Rothgerber. Producer: Jonas Kirchner. Producing Organisation: Südwestrundfunk. Coproducing Organisation: Pixelcloud.

Young people under 25 often see the climate crisis as abstract, overwhelming — or both. We want to change that! We reimagine climate journalism through GreenGuardiansVR: a satirical co-op VR game combining action, teamwork, and humor. Instead of feeling helpless, players fight the root causes of global warming with up to four players in a gripping story that playfully teaches facts and media literacy. A mega-corporation turns you into a robot, forcing you into a seemingly rosy future — while unstoppable climate change looms. Rebels hack the system to warn you: only together can you break the propaganda machine, take on the corporation, and save the planet.

Direction, Project Manager: Leonardo Lo Frano. Producer: Fabrizia Biondi. Producing Organisation: RAI – Direzione Contenuti Digitali e Transmediali Rai; Direzione Canoni, Beni Artistici e Accordi Istituzionali.

To mark the centenary of Italian radio, RAI created an innovative transmedia project combining storytelling, artificial intelligence, and user interaction. The digital docu-film Guglielmo Marconi. Searching by Daring (available on RaiPlay) explores Marconi's legacy through archival footage and family testimonies. The immersive exhibition Guglielmo Marconi. Transmission Trials features a digitally recreated AI avatar of Marconi who guides visitors in person, speaking through short videos. This dual experience engages users across platforms, blending history and technology to inspire new generations.

Project Manager: Max Sommerstein. Designer: Axel Lööf. Developers: Carl-Johan Belfrage, Jesper Brodin, Shahrina Uddin, Svante Martinsson (software developers, SR); Alexis Allemann (data scientist, EBU); Pawel Glimos, Rayan Arnaout (software developers EBU). Producers: Jörgen Bang (product owner, Team News, SR), Sebastién Noir (Head of Software Engineering, EBU), Martin Heinius (development editor, SR). Coproducing Organisation: EBU.

In a time when AI-driven services compete for attention and misinformation threatens public trust, Sveriges Radio has taken a bold step to strengthen its Public Service mission: we've launched Sweden's first AI-powered conversational news search engine. Integrated into our app and website, this tool allows users to ask questions and receive clear, impartial answers grounded in our own journalism. Each answer is traceable, linking directly to the original stories, thus reinforcing transparency and trust. Unlike generic AI, our service avoids hallucination by anchoring responses in SR's editorial standards. Early user feedback shows appreciation for clarity and credibility over flashy tech. This is innovation with a purpose: as a Public Service broadcaster, we must explore tomorrow's news experience – step by step, with courage and responsibility.

Project Managers: Nico Lypitkas (ZHdK), Ke-Ren Wang (SRG SSR). Producers: Zana Selimi, Justus Briese. Producing Organisation: ZHDK. Coproducing Organisations: Zurich University of the Arts, SRG SSR.

Small Talk is a transmedia film project about connection in a world starved of real communication. At its centre is a short film set in a near future where people must engage in monitored dialogues with strangers to access public life. In this setting, two friends, Laya and Emil, confront the boundaries of their relationship and the question of what makes a conversation truly honest. The project extends beyond the film: real-world dialogue chambers and short-form social media content bring its themes of closeness, exchange, and loneliness into public spaces and digital conversations – creating an experience that unfolds on screen, online, and in real life. The project was developed as part of university support under the Pacte de l'audiovisuel, our national co-production agreement where selected projects by multimedia students with limited financial resources receive support and benefit from our exchange and distribution network.

Direction: Hidde Westerwoudt. Content Manager: Rosanne van de Leemkolk. Project Manager: Yaniv Wolf. Producer: Sicko van Oene. Producing Organisation: KRO-NCRV. Coproducing Organisation: Xolbor.

KRO-NCRV is the first Dutch broadcaster to build an entire world in Roblox! On this popular online platform, millions of children create and play games every day. Earth Challenge Obby is a game designed to introduce children to the history of the Earth in a playful and interactive way. In addition to the educational aspect, we believe it is important to stay in touch with our young audience as we explore how, as a public broadcaster, we can remain relevant to children while maintaining our social values. In the game, children travel from the Big Bang to the Ice Age, overcoming as many obstacles as possible to earn coins and badges. To stay as close as possible to the TV program in terms of content and recognizability, we have brought the program's presenter to life as an avatar in the game to guide players through the game.

Direction: Andrés Fabián Cardozo. Project Manager, Producer: Jessica Roa. Designer: Alejandra Vergel. Coproducing Organisation: AcVisual Films.

Andy's Band is a transmedia eco-adventure for kids, blending animation, music, and real-life actions. Andy and her friends return with new songs, missions, and a spin-off series, Guardianes de la Naturaleza, where children become environmental heroes. Through stories, melodies, and concrete change, the show inspires young audiences to protect the planet while having fun. Based on the UN's Sustainable Development Goal 13.3, it teaches mitigation, adaptation, and care through a positive, playful lens.

Direction: Erika Hníková. Actors: Terézia Ferjančeková, Zuzana Kašparová.

Zuzana and Terézia talk about everything. Especially about the things we weren't told at school. Is it okay not to want sex? Spoiler alert: yes, it is. Sex is not a duty. There are plenty of reasons why people don't have sex – and also why we want it. Some much more than others. The second season of the series The Powder Room offers 8 episodes covering a variety of topics focused on young people and their questions about sex. Episode 5 also serves as a showcase of the format and style of the entire series.

Photography: Patricia Neligan. Content Managers: Nils Reinhardt, Katja Röder. Project Managers: Jasmin Käßer, Daniel Stolz. Chatbot Developer: Respeak. Producing Organisation: Südwestrundfunk (SWR). Coproducing Organisation: pub.tech – Public Value Technologies.a

A man's body is discovered in the kitchen of a women's prison near Ludwigshafen – the situation escalates. Detectives Lena Odenthal and Johanna Stern, who are actually there to question a witness, are suddenly faced with a new murder case. In Tatort Game: On the Run, players become investigators themselves. An AI-supported chat enables interactions with characters from the case. Players follow clues, make decisions and actively shape the plot – immersed in specially produced film scenes, interactive puzzles and an immersive game design. The game is accessible and can be played without prior knowledge, continuing interactively from a TV episode of the SWR crime series. It combines linear television with innovative, digital elements and brings the case to life for new target groups. On the Run is an example of modern, public service storytelling that combines AI, film and game mechanics to create an interactive experience – and shows how digital formats can strengthen user engagement and reach both fans of the crime scene and young, digital-savvy users.

Direction: Hans Block, Moritz Riesewieck, Patrick M. Müller. Project Manager: Patrick M. Müller. Designers: Wolfgang Wiler, Loris Bosco. Developer: Flavio Reinhard. Website Editor: Philipp Bornhauser. Producing Organisation: SRF, Docmine Production. Coproducing Organisation: Beetz Brothers.

Eternal You is a transmedia project about digital immortality. Through a documentary film, three scrollstories, and seven explainer videos, it follows people who use AI to communicate with the dead – driven by grief, guilt, or hope. It reveals deeply personal stories and raises urgent ethical questions: what happens when mourning becomes a business? When history is programmed, consciousness simulated, and technology becomes a new religion? Eternal You explores a future where death may no longer be final – and asks what still makes us truly human. Each format stands on its own, yet together they form a rich, multi-entry experience. The project solves a major challenge of digital storytelling: distribution. Its platform-agnostic, modular design allows each format to be seamlessly integrated into the media environments people already inhabit. Rather than asking audiences to migrate, it meets them where they are, and gives them something worth staying for.

Direction: Rene Sommer. Photography: Sjoerd Niekamp, Rens Polman. Content Manager: Huub Floor. Project Manager: Ludo Hekman. Designers: Mark Jan van Tellingen, Charlotte Claessen. Developers: Rosanne van de Leemkolk, Ali Haselhoef. Social Media Editors: Eric San Giorgi, Roy Schepers, Sjoerd Niekamp. Producer: Trudeke van Hierden. Producing Organisation: KRO-NCRV. Coproducing Organisation: NPO Innovation.

Your Vaccination Against Disinformation is an innovative digital video series produced by the Pointer journalism collective (KRO-NCRV), designed specifically for Generation Z. Instead of debunking fake news after it has been spread, Prebunks takes a preventive approach: each short video shows and explains a manipulation technique – such as confirmation bias, misleading context or AI-generated content – before the user encounters it in their feed. Launched ahead of the European elections, the campaign has garnered over 1.5 million views, more than half of which came from non-urban areas. Independent research showed that 50% of Gen Z viewers felt more protected from disinformation after watching the videos. The project sparked reactions from political parties, stimulated online debates and was included in an interactive exhibition at the Beeld & Geluid media museum.

Content Managers: Yuliia Tkachuk, Oleksii Matskevych. Direction: Mariia Derhachova, Kateryna Butler. Photography: Sofiia Pasevych, Oleksandr Perlyk. Designer: Anastasiia Rybakova, Nika Nazarenko. Developers: Yuliia Tkachuk, Oleksii Matskevych, Nadiia Mykolaienko. Website Editor: Yevheniia Lutsenko. Social Media Editor: Anna Vytiaz. Producer: Anna Pohrebna.

In Ukraine, music is everywhere: on the streets, at home, in railway stations. And since Russia's full-scale invasion began, Ukrainian music has often been heard in military vehicles, underground car parks and shelters, and on the streets of occupied cities. ARTillery is a digital project by Suspilne Kultura that explores new Ukrainian music and its transformation during the invasion. The project includes videos in various formats and for numerous digital platforms.

Actors: Molly Rainford, Francesca Henry, Bobby Brazier, Matthew Morrison. Executive Producer: Chris Clenshaw. Coproducing Organisation: BBC Studios.

EastEnders is an iconic BBC soap opera which has been broadcast on BBC One since February 1985. In July 2024, EastEnders broke new ground with Spiked – a powerful storyline that extended beyond TV to reach young audiences where they live: on social media. As Anna Knight's spiking experience aired on linear TV, we launched a bespoke five-part digital mini-series on TikTok, Instagram and Facebook; shot as scripted vertical video and told from a first-person perspective. A QR code in the main show linked viewers to the series, with TikTok supporting via a dedicated landing page. EastEnders and BBC platforms amplified content online and on social media. Released the same week as the issue being raised in the King's Speech, the activation was also covered on BBC News at Ten – BBC flagship news programme. EastEnders Spiked earned 5.1M views and 1.5M minutes watched, drawing a new path for transmedia storytelling in the UK.